The phrase “This is a true story” has become a contentious starting point for Netflix’s Baby Reindeer, thrusting the show into legal turmoil over its portrayal of real-life individuals. Fiona Harvey’s $170 million lawsuit against Netflix alleges that her character, Martha, in the series is a misrepresentation that has severely damaged her reputation. Despite the backlash, Netflix stands by creator Richard Gadd’s right to narrate his story.
The controversy extends beyond Harvey’s case. Trans actress Reece Lyons accused an unnamed Netflix writer of inappropriate advances, later identified as Gadd, sparking further scrutiny. Questions linger about Netflix’s oversight given its substantial market presence and resources.
Baby Reindeer is not alone in legal challenges. Netflix faced Rachel DeLoache Williams’ lawsuit over Inventing Anna and a defamation suit from the now-defunct OneTaste due to Orgasm Inc. The documentary Dancing for the Devil: The 7M TikTok Cult also drew criticism from Miranda Derrick for its portrayal of her involvement with the Shekinah Church.
Critics argue that Netflix plays fast and loose with factual accuracy, presenting shows as truth while harming real people. Attorney Jennifer Bonjean, representing OneTaste’s Nicole Daedone, highlights the impact on those depicted.
The fallout extends to public scrutiny and harassment. Jessica Gunning, who portrays Martha, faced online doxxing, and writer Sam Bain received unwarranted accusations due to similarities between his work and characters in Baby Reindeer. Such incidents underscore the dangers of blurring fiction with reality in media.
Legal experts criticize Netflix’s handling of clearances and investigations into allegations, such as those made by Lyons. Despite producer Clerkenwell Films clearing Gadd of misconduct, concerns persist about casting decisions and the production’s internal dynamics.
While Netflix’s expansive content library increases the likelihood of disputes, experts like Nick Soltman suggest that these controversies may stem more from volume than intentional misconduct.
As Netflix navigates these legal battles, the industry watches closely, questioning the balance between creative expression and ethical responsibility in storytelling.
In the realm of docudramas and docuseries, the lessons from Baby Reindeer serve as a stark reminder of the complexities and consequences of portraying real events and individuals on screen.
